Author: Brian M. Stableford
Publisher: Carroll & Graf Pub
ISBN: 9780786701803
Size: 66.25 MB
Format: PDF, ePub
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Finding themselves suddenly possessed of uncanny visionary powers, David Lydard and Gabriel Gill are gradually drawn into a deadly contest between forces of godlike power and must seek help from a renegade werewolf
Language: en
Pages: 462
Pages: 462
Finding themselves suddenly possessed of uncanny visionary powers, David Lydard and Gabriel Gill are gradually drawn into a deadly contest between forces of godlike power and must seek help from a renegade werewolf
Language: de
Pages: 226
Pages: 226
Heavy Metal und martialische Fangesänge - aber auch Musik als Folterinstrument: Kann Musik böse sein? Ist sie als Inbegriff des Schönen und Wahren nicht über jeden Zweifel erhaben? Wie ist ein »musikalisch Böses« vorstellbar? Blieb die Musik im sonst so weitläufigen Diskurs über das Böse bisher weitgehend unbeachtet, so wird
Language: en
Pages: 384
Pages: 384
When Darkness Reigns and the Full Moon Glows, Terror Emerges to Stalk the Unsuspecting… From lycanthropic creatures found on television and film such as Teen Wolf, Twilight, and True Blood to the earliest folklore of shape-shifting creatures, The Werewolf Book: The Encyclopedia of Shapeshifting Beings is an eye-opening, blood-pounding tour
Language: en
Pages: 217
Pages: 217
Why is horror in film and literature so popular? Why do viewers and readers enjoy feeling fearful? Experts in the fields of sociobiology and evolutionary psychology posit that behaviors from our ancestors that favored survival and adaptation still influence our actions, decisions and thoughts today. The author, with input from
Language: en
Pages: 194
Pages: 194
Language: en
Pages: 272
Pages: 272
Examines the cultural significance of the werewolf filmProvides the first academic monograph dedicated to developing a cultural understanding of the werewolf filmReconsiders the psychoanalytic paradigms that have dominated scholarly discussion of werewolves in pop cultureIncludes over 40 individual case studies to illustrate how werewolf films can be understood as products
Language: en
Pages: 160
Pages: 160
The Mammoth Book of Wolf Men brings together twenty-three tales of terror and transformation from classic pulp novellas like Manly Wade Wellman's The Hairy Ones Will Dance and The Whisperers by Hugh B. Cave, to modern masterpieces such as David Case's The Cell, Clive Barker's Twilight at the Towers and
Language: en
Pages: 967
Pages: 967
This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. • Describes horror literature during different periods, thus helping readers understand the roots
Language: en
Pages: 446
Pages: 446
The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries.
Language: en
Pages: 128
Pages: 128
Co-written by Irish filmmaker Neil Jordan and British novelist Angela Carter, and based on several short stories from Carter's collection The Bloody Chamber, The Company of Wolves (1984) is a provocative reinvention of the fairy tale of Little Red Riding Hood. Unraveling a feverish metaphor for the blossoming of a