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Selbstreferentialit T Im Film Am Beispiel Von Get Shorty Und Der Himmel Von Hollywood

Get Shorty
Author: Zornitsa Boneva
Publisher: GRIN Verlag
ISBN: 3640813286
Size: 56.53 MB
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Studienarbeit aus dem Jahr 2006 im Fachbereich Medien / Kommunikation - Film und Fernsehen, Sprache: Deutsch, Abstract: Diese wissenschaftliche Arbeit beschaftigt sich mit dem Thema der Selbstreferentialitat im Film. Die Arbeit hat das Ziel aufzuklaren, was genau man unter Selbstreferentialitat und Selbstreflexivitat innerhalb eines Films bezeichnet und welche Dimensionen diesen Begriffen erreichen. Zu Beginn wird die Bedeutung der Begriffe Intertextualitat und Intermedialitat geklart nicht nur auf den Bereich Film," aber auch bezuglich der Massenmedien im Allgemeinen. Bevor das Thema der Selbstreferentialitat im Film berucksichtigt wird, wird die Relation des Mediums Film" zu den anderen Kunsten dargestellt, wobei vor allem die Bezugnahme des Films auf der bildenden Kunst, der Literatur und dem Theater vorgestellt wird. Danach werden die Begriffe Selbstreferentialitat und Selbstreflexivitat im Film erlautert und die Differenz zwischen den beiden Begriffen geklart. Im Anschluss werde ich auf die verschiedenen Felder der Selbstreferentialitat und der Selbstreflexivitat eingehen. Aufbauend auf diesen allgemeinen Angaben zur Selbstreferentialitat und Selbstreflexivitat im Film wird diese Arbeit noch durch Beispiele unterstutzt. Als konkrete Beispiele fur selbstreferentielle bzw. selbstreflexive Filme stelle ich zwei Filmen vor - Get Shorty" (Barry Sonnenfeld, USA 1995) und Der Himmel von Hollywood" (Sonke Wortmann, USA/NL/D 2001)."
Selbstreferentialität im Film am Beispiel von
Language: de
Pages: 24
Authors: Zornitsa Boneva
Categories:
Type: BOOK - Published: 2011-01 - Publisher: GRIN Verlag
Studienarbeit aus dem Jahr 2006 im Fachbereich Medien / Kommunikation - Film und Fernsehen, Sprache: Deutsch, Abstract: Diese wissenschaftliche Arbeit beschaftigt sich mit dem Thema der Selbstreferentialitat im Film. Die Arbeit hat das Ziel aufzuklaren, was genau man unter Selbstreferentialitat und Selbstreflexivitat innerhalb eines Films bezeichnet und welche Dimensionen diesen Begriffen erreichen. Zu Beginn wird die Bedeutung der Begriffe Intertextualitat und Intermedialitat geklart nicht nur auf den Bereich Film," aber auch bezuglich der Massenmedien im Allgemeinen. Bevor das Thema der Selbstreferentialitat im Film berucksichtigt wird, wird die Relation des Mediums Film" zu den anderen Kunsten dargestellt, wobei vor allem die Bezugnahme des Films auf der bildenden Kunst, der Literatur und dem Theater vorgestellt wird. Danach werden die Begriffe Selbstreferentialitat und Selbstreflexivitat im Film erlautert und die Differenz zwischen den beiden Begriffen geklart. Im Anschluss werde ich auf die verschiedenen Felder der Selbstreferentialitat und der Selbstreflexivitat eingehen. Aufbauend auf diesen allgemeinen Angaben zur Selbstreferentialitat und Selbstreflexivitat im Film wird diese Arbeit noch durch Beispiele unterstutzt. Als konkrete Beispiele fur selbstreferentielle bzw. selbstreflexive Filme stelle ich zwei Filmen vor - Get Shorty" (Barry Sonnenfeld, USA 1995) und Der Himmel von Hollywood" (Sonke Wortmann, USA/NL/D 2001)."
Get Shorty
Language: en
Pages: 304
Authors: Elmore Leonard
Categories: Fiction
Type: BOOK - Published: 2009-10-13 - Publisher: Zondervan
“A Hollywood hit….Taut, inimitable prose and characters who could have only sprung from the mind of Elmore Leonard.” —Detroit News The Chicago Tribune has dubbed Elmore Leonard, “the coolest, hottest writer in America.” In the same league as the legendary great ones—John D. MacDonald, Dashiell Hammett, James M. Cain—the “King Daddy of crime writers” (Seattle Times) demonstrates his remarkable mastery with Get Shorty, one of the most adored of his forty-plus novels. The basis of the hit movie starring John Travolta and Danny DeVito, Get Shorty chronicles the over-the-top, sometimes violent Hollywood misadventures of a Florida mob loan shark who chases a deadbeat client all the way to Tinseltown and decides to stick around and make movies. Get Shorty’s shylock protagonist, Chili Palmer, is a truly inspired creation—as memorable as another unforgettable Leonard hero, U.S. Marshal Raylan Givens of the hit TV series Justified—and readers will relish his moves and countermoves in this electrifying, funny, bullet train-paced winner from “the greatest crime writer of our time, perhaps ever!” (New York Times Book Review)
New York Magazine
Language: en
Pages: 128
Authors: Elmore Leonard
Categories: Fiction
Type: MAGAZINE - Published: 1995-10-23 - Publisher:
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Politics, Desire, and the Hollywood Novel
Language: en
Pages: 200
Authors: Chip Rhodes
Categories: Literary Criticism
Type: BOOK - Published: 2008-09-01 - Publisher: University of Iowa Press
The story of what happens when a serious writer goes to Hollywood has become a cliché: the writer is paid well but underappreciated, treated like a factory worker, and forced to write bad, formulaic movies. Most fail, become cynical, drink to excess, and at some point write a bitter novel that attacks the film industry in the name of high art. Like many too familiar stories, this one neither holds up to the facts nor helps us understand Hollywood novels. Instead, Chip Rhodes argues, these novels tell us a great deal about the ways that Hollywood has shaped both the American political landscape and American definitions of romance and desire. Rhodes considers how novels about the film industry changed between the studio era of the 1930s and 1940s and the era of deregulated film making that has existed since the 1960s. He asserts that Americans are now driven by cultural, rather than class, differences and that our mainstream notion of love has gone from repressed desire to “abnormal desire” to, finally, strictly business. Politics, Desire, and the Hollywood Novel pays close attention to six authors—Nathanael West, Raymond Chandler, Budd Schulberg, Joan Didion, Bruce Wagner, and Elmore Leonard—who have toiled in
New York Magazine
Language: en
Pages: 162
Authors: Chip Rhodes
Categories: Literary Criticism
Type: MAGAZINE - Published: 1995-11-20 - Publisher:
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
SPIN
Language: en
Pages: 148
Authors: Chip Rhodes
Categories: Literary Criticism
Type: MAGAZINE - Published: 1995-11 - Publisher:
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
New York Magazine
Language: en
Pages: 150
Authors: Chip Rhodes
Categories: Literary Criticism
Type: MAGAZINE - Published: 1995-11-13 - Publisher:
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York Magazine
Language: en
Pages: 272
Authors: Chip Rhodes
Categories: Literary Criticism
Type: MAGAZINE - Published: 1995-12-18 - Publisher:
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York Magazine
Language: en
Pages: 140
Authors: Chip Rhodes
Categories: Literary Criticism
Type: MAGAZINE - Published: 1995-11-06 - Publisher:
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Get Shorty
Language: en
Pages: 152
Authors: Scott Frank, Elmore Leonard
Categories: Film adaptations
Type: BOOK - Published: 1996 - Publisher:
Published to coincide with the release of the film Get Shorty, adapted from the Elmore Leonard novel and starring John Travolta, this book contains Scott Frank's script. Travolta plays a small-time loan shark who inadvertently gets involved in the Hollywood film business.